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- Lam, Steven, Through Negotiation: A Conversation with Shirley Tse, Sculpture Magazine, Jan/Feb, Volume 43, No.1 (pdf)
- Shirley Tse in Conversation with Alice Wang, Precarious Play, X-TRA Journal, Volume 25 Issue 2 (pdf)
- Holyoak, Vanessa, Artists at Work: Shirley Tse, East of Borneo, April 21 (pdf)
- Holyoak, Vanessa, Shirley Tse’s Ecology of the Everyday, Hyperallergic Art Reviews, July 27
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Chien, Christopher, A Ubiquity Made Visible: Non-Sovereign Visuality, Plastic Flowers and Labor in Cold War Hong Kong, Amerasia Journal, January 4
- Lai, Mankit, Curating pandemic contingencies: Remote collaboration and display configuration in practice, Journal of Contemporary Chinese Art, August (pdf)
- Chang, Qu, review, Art Forum, Dec (pdf)
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Stephens, Nicholas, Remote Installation: Temporary Phenomenon or Persistent Theme? CoboSocial, Oct 5
- Chen, Cara, Staking a Claim, The Standard, Jul 10 (pdf)
- Roundtable Review: Shirley Tse’s “Stakes and Holders”, ArtAsiaPacific, Sept 30 (pdf)
- Vulture Open Call: Togetherness, Sept (pdf)
- Shirley Tse: Stakeholders – Venice Biennale 2019. June Studio International (pdf) (video)
- RTHK The Works – Venice Biennale 1: HK Pavilion. June RTHK
- Representing Hong Kong in Venice: In Conversation with Shirley Tse. May 2019 Design Anthology (pdf)
- The Polymer Multiverse. May Art Asia Pacific (pdf)
- Shirley Tse Presents 3D Printed Artwork at the Venice Biennale. May 3D Printing Industry (pdf)
- At Venice Biennale’s Hong Kong Pavilion, a chimera of of contradictions in sculpted wood and 3D printing. May South China Morning Post
- What is at Stake? A Chat With Shirley Tse. April M+ Stories (pdf)
- Artist Shirley Tse’s “models of multi dimensional thinking.” April Financial Times (pdf)
2018
- Shirley Tse to Represent Hong Kong at 2019 Venice Biennale, June 18 Artforum
2017
- Harvey, Doug, 10 L.A. Artists Whose Work You Probably Don’t Know – but Should, Oct 31 Artsy.net (png)
2016
- Artforum 500 words as told to Chris Kraus, July. (pdf)
- Wood, Eve, Killer Pick of the Week: Shirley Tse, Artillery Magazine, July 13 (pdf)
- Shang, Danielle, “Lift Me Up So I Can See Better” in LA, Ran Dian Art Magazine (randian-online.com). July 13 (pdf)
- Zellen, Jody, Shirley Tse Artscene, July. (pdf)
2015
2014
- Knight, Christopher, Object Lesson at Torrance Art Museum’s Another Thing Coming, Los Angeles Times, Sept 8
- Osborne-Bartucca, Kristen, Reviews: Another Thing Coming, Artillery, Sept 30
- Jahn, Jeff, First Thursday July 2014 Picks
2012
- Frank, Peter, Haiku Review, Huffington Post
2011
- Lawrence, Naomi, Shirley Tse, Asian Art Newspaper
2010
- Bartorelli, Guido, I Miel Eroi, Cleup
- Lee, Edmund, Matter and Memory, TimeOut Hong Kong, April
- Teh, Yvonne, Parallel Worlds, South China Morning Post, April 1
2009
- Material Inteilligence, Art Monthly
- Pagel, David. COLA 2009 an accessible brew in Barnsdall Park,” LA Times, June 2 (pdf)
- Harvey, Doug. “Last Round: At the Brewery Project: The Finale,” LA Weekly, January 14 (pdf)
2008
- McQuaid, Cate. “Breaking down the beauty of Styrofoam,” The Boston Globe, March 28, p. D6 (pdf)
- Van Siclen, Bill. “A Look a Styrofoam and Industrial Design,” The Providence Journal, April 3, p. E8 (pdf)
- Mendelsohn, Meredith, “Foam Improvement,” Art News, p. 48, March 2008
- Aushenker, Michael. “Art Exhibit ‘Acts’ Out First Amendment Issues,” Palisades Post, January 31, 2008 (pdf)
- Leon, Lea. “With Patriot Acts, Artists Show the Law is Really Open to Interpretation”, Los Angeles Times, January 24, 2008 (pdf)
2007
- Beischer, Tom and Lee, Marion. Chapter 12: “Plasti(City) of Material and Meaning: Shirley Tse’s Forms of Identity.” Global Babel: Questions of Discourse and Communication in a time of Globalization, ed. by Samir Dayal and Margueritte Murphy, Cambridge Scholars Publishing pp. 298-313 (pdf)
- Collins, Judith, Sculpture Today, Phaidon, p. 433
- Myers, Holly, “Social Issues Leave Imprint in ‘Touched’”, Los Angeles Times, August 22, E6
- Harvey, Doug, “Hey Ladies: The Girls Go Wild West at Bergamot”, LA Weekly, May 2, 2007, p. 56
- Velasco, David. “Shirley Tse – Murray Guy”, Artforum, April 2007, pp.275-276 (pdf)
- Dambrot, Shana Nys, “Shirley Tse: ‘Sink Like A Submarine’ at Shoshana Wayne Gallery, Art Ltd, July 2007, p.18
- Mizota, Sharon. “Shirley Tse, Shoshana Wayne Gallery”, Picks, Artforum.com, June 2007 (jpeg)
2006
- ______, Continuing and Recommended Exhibition: Shirley Tse, www.artscenecal.com (pdf)
- LeDuc, Amie, “A Room of One’s Own”, San Francisco City Guide website http://www.sfstation.com/the-amber-room-a220. October 4
- Leaverton, Michael, “Stuck on Amber”, SF Weekly, September 8
- Kurtz, Katie, “The Amber Room: Review”, San Francisco Bay Guardian, October 4 – 10, 2006
- “Reviews/Previews”, Melissa Lo, Artkrush, http://www.artkrush.com/current/
2005
- Marsh, Margaret and Michelle Watts and Craig Malyon, ART 2:Practice (Victoria: Oxford University Press) 2005. p.131
- Godfrey, Mark, “Image Structures”, ArtForum, February, p.147-153
- _____, “L.A.”, The New Yorker, May 2-May 9
- Bollen, Christopher, New York Critics’ Picks, “LA”, Artforum.com, May, 17 Inselmann Andrea, ‘Material Matters’, Herbert F. Johnson Museum of Art, Cornell University
- Godfrey, Mark. “Image Structures”, Artforum, February 2005, pp.146-153 (pdf)
2004
- The New Yorker, December 6, 2004, p.
- Friedrich, Kristin, “White Noise at Redcat”, Los Angeles Downtown News, October 14
- Myers, Holly, Disposable Society, Los Angeles Times, October 13
- Beischer, Thomas and Lee, Marion, Martianmallow-Food for the Inner Alien, Gastronomica, Spring 2004, p.9-10.
- Isé, Claudine, Particle Theory, exhibition brochure, Wexner Center for the Arts, Columbus, OH
- Miles, Christopher. “Power Towers: Transmission and Trace”, Power Towers, exhibition catalogue, Pomona College Museum of Art, Claremont, CA
2003
- Beischer, Thomas and Marion Lee, “Exploring the Para-Site: Shirley Tse’s Plasticity of Material and Meaning”, Thresholds 27, Exploration, Massachusetts Institute of Technology, Cambridge, MA, pp. 32-37
- Charlesworth, J.J. “Coastal Melancholy’, Modern Painters, Summer 2003, pp. 36-38
- Gray, Emma and Lafuente, Pablo, “You Haven’t Taught Until You See the Lightbulb in their Eyes Light Up”,ArtReview July/August, p.40-50. (pdf)
- Zeiger, Mimi. ‘The Stuff that Surrounds You’, Arthur, March, pp.6 & 8
- Chu, Ingrid. ‘Out of site: Fictional Architectural Spaces’, Para-Para, in Parachute 109, January –March pp.5-6
- Knight Christopher. ‘On the Underbelly of the Zeitgeist’, Los Angeles Times, February 21
- Spalding, David, “Shirley Tse at the CCAC Wattis Institute”, Flash Art, January-February, Vol.XXXVI, No.228, p.51
- Helfand, Glen, ‘One Size Fits All?’ Guardian, San Francisco, Jan. 8. pp. 45-46
2002
- Critic’s choice, “ ‘Shelf Life’ and ‘In the Making’,” San Francisco Bay Guardian, December 2002, p.80
- Aragào, Thais. ‘De Cabeca Para Baixo,’ Opovo, Fortaleza, Brazil, December 13
- liva, Fernando, ‘Mapa Invertido,’ Bravo, Sao Paulo, Brazil, December, p. 29.
- Chen, Elsa Hsiang-Chun. “Identity politics? Allegorical existence? On the way to the fantastic”, Yishu Journal of Contemporary Chinese Art, Summer, pp. 93-94
- Westbrook, Lindsey. ‘Shelf Life’ and ‘In the Making’, Guardian, San Francisco, December 4, p. 80
- Williams, Gregory. ‘Out of Site’, Artforum.com, posted July
- Cotter, Holland. ‘Architectural Visions Keep Dreamers Awake’, The New York Times, 12 July
- Halle, Howard. ‘Building the Future’, Time Out New York, 11-18 July, issue no.354, p.46
- Cover Image, Log Illustrated, the X Issue, Summer, Christchurch, New Zealand
- Barragan, Paco. ‘The Art to Come’, book, Madrid, Spain: Subasta Siglo XXI, pp. 288-89
- Richard, Frances. Artforum, Summer, pp. 177-178
- Burton, Johanna. ‘Polytocous’, Time Out New York, 18-25 April, p.62
- Williams, Gregory, ‘New York-Critics Picks: Shirley Tse,’ Artforum.com,, April,
- Hsieh, David. World Journal, New York, April
- Morgan, Jessica, “Imaginary Architects,” exhibition catalogue, Artists Imagine * 2002 Architecture, Institute of Contemporary Art, Boston, p. 39
- Ellegood, Anne, ‘Out of Site: Fictional Architectural Spaces,’ exhibition catalogue, Out of Site: Fictional Architectural Spaces, New Museum of Contemporary Art, New York, pp.30-33
- Bradley, Jessica, ‘Provisional Worlds,’ exhibition catalogue, Provisional Worlds, Art Gallery of Ontario, Toronto, Canada, p.18
- Holubizky, Ihor, ‘The Other Side of the Clock: The 2002 Biennale of Sydney,’ C International Contemporary Art, Toronto, Canada, pp. 20-23
- Cattelan, Maurizio, et al. eds. Charley 01, New York: Distributed Art Publishers, p. 71
- Barilli, Renato, ‘Art Drifts’, exhibition catalogue, Officina America, Galleria d’Arte Moderna di Bologna, Italy: Mazzotta, p. 40
2001
- Gagnon, Adrienne, ‘Shirley Tse’, exhibition catalogue, 01.01.01: Art in Technological Times, SFMOMA, San Francisco, CA, pp. 136-37
- Spalding, David. ‘A conversation with artists in ‘010101: Art in Technological Times’ Interview, Artweek, May, vol. 32, issue 5, pp.13-14
- Rugoff, Ralph, ‘Virtual Corridors of Power: Ralph Rugoff approaches the cutting edge of digital technology in a timely exhibition at the San Francisco Museum of Modern Art’,The Financial Times, March 31
- Williams, Gregory. Frieze, January-February, issue 56,pp.106-107
- Rugoff, Ralph. “FirstTake”, Artforum, Janaury, vol. XXXIX, no.5, p.123 (pdf)
- Panzera, Lisa. ‘Shirley Tse at Murray Guy’, Art in America, January, vo.89, no.1, p.119
- Stojnic, Niki, ‘Bits of Art’, Alaska Airlines, January
2000
- Herron, Theresa. ‘Shirley Tse: Creatrix of Plasticity’, newbeats.com, December
- Harvey, Doug. ‘Ten Shows That Rocked My World’, LA Weekly, December 29-January 4
- Levin, Kim. ‘Voice Choices’, The Village Voice, Vol. XLV No.40, October 10
- Johnson, Ken. ‘Shirley Tse – Murray Guy’, The New York Times, September 29, p.E32
- Carter, Jeff, ‘St. Louis – Shirley Tse’, Flash Art International, Summer, p.49
- O’Brien, Draza Fratto. ‘Shirley Tse and Tran T. Kim-Trang at Shoshona Wayne Gallery’, Artweek, June pp.21-22
- Maxwell, Douglas, ‘Art Chicago 2000’, Onview.com, May 24
- Decepida, Joseph. ‘From Buddha To Bubble Wrap’, The University News, St. Louis, April 13, p.13
- Harvey, Doug. ‘Tim Hawkinson, Charles LaBelle, John Divola, Tim Ebner, Shirley Tse, more’, LA Weeklly, April 7, pp.39-40
- Duncan, Michael. ‘L.A. Confidential’, Artnet, April
- Kandel, Susan. ‘Shirley Tse: Plastic Aphasia, artext, no.68, February.-April, pp.44-45
- Mahoney, Robert. ‘Millennium at Tate Gallery’, Time Out NY, 29 July-5 August, p.52
1999
- Grabner, Michelle. ‘Stuff’, Frieze, September, pp. 106-107
- Mutscheller, C. ‘More Stuff’, The Lumpen Times, May, pp.44-45
- Mahoney, Robert, “Millennium (TATE),” Time Out New York, July 29 – Aug. 5,
- Stuff (exhibition catalogue), essays by Jeanne Dunning and James Yood, Chicago: The Contemporary Arts Council/TBA Exhibition Space, Chicago
- Harvey, Doug. ‘Futurama’, L.A. Weekly, 9-15 April, p.45
1998
- Wilson, William. ‘Food Preserved with a Twist in the Polka Dot Kitchen’, Los Angeles Times, October 20, p.F5
- Linton, Meg. ‘Polysemy ™ at Shoshana Wayne Gallery’, Artweek, December, p.20
1997
- Hultkrans, Andrew. ‘Gadget Love – Andrew Hultkrans on Three Days in the Desert’, Artforum, January, p.21
- Dewey, Fred. ‘The Chance Roll Abolishes the Dice’, Coagula, January, p.48
- Kandel, Susan. “Art Reviews’, Los Angeles Times, 7 February, p.F18
- Hainley, Bruce. ‘Bastards of Modernity’, Artforum, March, p.99
- DiMichelle, David. ‘Bastards of Modernity at Angles Gallery’, Artweek, April, p.23
- Tumlir, Jan. ‘The 1997 LACE Annuale’, L.A. Weekly, 10-16 October
- Howell, George. ‘A Box’, Art Papers, November-December, p.46
1996
- Auerbach, Lisa Anne. ‘The Land of the Bland’, Los Angeles Reader, 21 June, p.28
- Swed, Mark. ‘Hundreds by Design, Weigh Role of Chance, Los Angeles Times, 11 November